I’ve grown as the city has grown. I’ve stood here and watched as the cobblestone streets were repaved with asphalt. As the buildings went from quaint cottages to imposing office buildings. As the union jack was taken down and replaced with stars and stripes. I stand behind the great, brick hall, almost as tall as its green, glass clock. My branches span from the edge of the park to just over the roofline of the hall. Like the city, the building is always changing, constantly in flux. A noble tower was built after years of suggestions and fundraising from neighbors. A lighting rod was installed after a terrible storm. A strong, unassuming barrier was added after the twin towers fell in New York. The one thing that was constant was the hordes of people going in and out of the proud, red brick building.
At the beginning, there were stout, argumentative men in tricornered hats and pointed buckle shoes, rushing to the building, ready to discuss politics. There were once grown men, hands shackled behind their backs, forced into the building to have their freedom questioned. Many years later came the busloads of restless, sweaty teens in matching neon shirts and lanyards. They dragged their feet as they filed past me into the hallowed hall, operating on the promise of ice cream. Sometimes people stood close to the building. They preached their beliefs, marched in circles with signs, or stood there, admiring the building. Young couples, shouldering backpacks with tiny flags from around the world perched on the side, came to see the hall. Large families, with even larger cameras, came to ogle the textbook-perfect hall. Even harried local parents would pause in front of the hall, letting go of their child’s hand in order to point out the building, and say, to their children’s confusion,“That’s where the country was born.” The people flowed in and out, to and from the brick hall. They were constantly drawn to the building…until they weren’t.
It was in early spring, when my branches began to grow heavy with soft, green threads of flowers and pollen, when the people stopped coming. No more groups of school children, swaddled in mittens and coats. No more rushed, giddy families. The hall remained empty that cold March day. It remained empty the next day. And the next. There were no lines. There were no crowds. There were no people. Days stretched into weeks, and still no one went in.
My branches grew bright, new shoots and delicate, waxy leaves. The sun stayed in the sky longer. A few brave locals ventured into the park, uneasy parents clenching their children’s hands, decrepit neighbors walking tiny dogs, and nervous runners darting through. But no one went in. During the day, the building remained quiet, desolate. At night, the dark, empty building was almost eerie, with the surrounding lights casting an ominous shadow behind it. The clock at the top of the tower remained dark and blank, a fairytale heroine stuck in a never-ending slumber. As March spilled into April, I began to doubt whether the hall would return to its bustling, crowded self. Then one rainy, Philadelphia evening, a familiar man walked up to the building. Despite the muggy drizzle, the man sported a quiet, all knowing smile. As he opened the hall’s back door, he lowered his wide, ranger’s hat to the chest of his freshly pressed shirt, and ducked in. As he stepped through the doorway, I swear he nodded at me. A few minutes later, the lights inside were flipped on, emitting a soft, welcoming glow. Next the windows on the second floor lit up. And finally the clock, level with my branches, flickered awake, letting off a strong, green glow. The door in the main part of the building creaked open, and the man emerged. He surveyed the park with a smile, and then walked away into the rain.
Anna- I just read your post three times in a row. I'm sitting here at a computer looking out a window facing Independence Hall and see an oak tree now with fresh eyes. I'm quite taken by your knowledge of the of the Hall and what it witness not just day to day, but decade to decade. You clearly have an intimate knowledge of the environs and it shines through your writing. Also, "They dragged their feet as they filed past me into the hallowed hall, operating on the promise of ice cream." fantastic line!
ReplyDeleteI really like how you wrote this from the perspective of a tree which can view the many changes that occur as time passes. My favorite part about your post is the amazing attention to detail that you included. It's so easy to just get sucked into your descriptions about Independence Hall. Really great!
ReplyDeleteAnna-I thought that you displayed a great deal of creativity in the way in which you used the illiteration of the tree serving as the narrator of your story and it was very immpressive how you were able to describe the various uses of the building over time. I was particularly drawn to the line which reads:"There were oncegrown men,hands shackledbehind their backs forced into the building
ReplyDeleteto have their Freedom questioned." I want to read more.
This story brought a tear to my eye - thank you! It demonstrates the power of place. My favorite line: The clock at the top of the tower remained dark and blank, a fairytale heroine stuck in a never-ending slumber.
ReplyDeleteI also want to read more. You are a great writer. Please keep writing.
ReplyDeleteThis piece made me miss the park so much! The small details give it such a strong sense of place, and you really get a sense of the tree being a silent observer—simultaneously part of the scene but apart from it, timeless and yet sadly contemporary. My favorite details are the teens with matching lanyards and neighbors with tiny dogs.
ReplyDeleteThe tree growing “bright, new shoots” reminded me of how paradoxical the pandemic felt at the beginning. Things shut down and panic spread just as spring was starting, and it felt strange to look at nature and see that it was continuing as if nothing was wrong at all. Thanks for sharing this!
I thought the word choice in this story elevated the writing to another level of sophistication and wasn't gratuitous or verbose. It also allowed for the descriptions to resonate in a mare impactful way
ReplyDeleteI love the imagery around the hall and how delicately yet purposefully you laid down the setting for the piece. I love your specificity and how it adds to the character, a tree/observer. Great job!
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